![adobe camera raw adobe camera raw](https://i0.wp.com/filecr.com/wp-content/uploads/2018/11/Scr2_Adobe-Camera-Raw_free-.jpg)
It is in this Workflow Options dialog that you can configure ACR to open a copy of the edited photo as a smart object in Photoshop if desired. Classic’s color space cannot be changed in a similar way (unless you are soft proofing). Somewhat related to the topic of color sampling is the fact that you can change the color space used by the Histogram and Color Sampler in ACR via the Workflow Options dialog (accessible by clicking the link at the bottom of the window). I’d love to see this added to Classic, but it has not yet come to pass. This tool allows you to drop up to 9 color sample points on the photo so that you can monitor the RGB values at those points while you edit. There is one tool that can be found in ACR that does not exist in Classic, and that’s the Color Sampler Tool. ACR has left and right rotation buttons along the top, but the rotation options in Classic are found under the Photo menu (or on the thumbnails in Grid view of Library).The Transform Tool appears in the top tool strip in ACR but is a panel of its own in Classic.The Straighten Tool appears in the top tool strip in ACR but is included within the Crop tool in Classic.The Targeted Adjustment Tool appears in the top tool strip in ACR but in the Tone Curve, HSL, or B&W panel in Classic (depending on what you want to adjust).The White Balance Tool appears in the top tool strip in ACR but in the Basic panel of Classic.Note, keyboard shortcuts are not consistent between the two applications, so be prepared to use your mouse a lot more in the program you are less familiar with.Ī few quirky differences in the interfaces to be aware of are as follows: I highly recommend any new user spending the time to become familiar with the icons this way. In both Classic and ACR, if you are unsure of what a given icon represents you can place your cursor over the icon to see a tooltip appear displaying the name of the tool and its keyboard shortcut. In ACR, it does also have a group of tabbed panels on the right side of the interface, but it also provides access to a suite of tools along the top of the interface. In Classic, all of the editing tools are located within the group of panels on the right side of the Develop module. The biggest cause of disorientation for anyone opening one program or the other at first is the difference in where things are located. We’ll look at those specific cases later on, but I think there is value in Classic users knowing their way around ACR too.
![adobe camera raw adobe camera raw](https://getintopca.com/wp-content/uploads/2020/12/Adobe-Camera-Raw-13-Free-Download-Windows-and-MacOS-1-1.jpg)
![adobe camera raw adobe camera raw](https://helpx.adobe.com/content/dam/help/tr/creative-suite/using/make-local-adjustments-camera-raw/jcr_content/main-pars/procedure/proc_par/step_0/step_par/image/Edit_photo.png)
Now, if you are Classic user you might be wondering why this would be helpful, but there are a few scenarios where a Classic user might encounter the ACR plug-in: So much is the same between the two programs that I just want to focus on the differences to help you navigate between the two programs. But in actual use, I think the answer is a good bit more nuanced than that, and that is what I want to explore. Due to this common origin, Lightroom and Camera Raw have evolved as separate products, but they continue to be developed and updated in parallel to retain that consistent editing and rendering capability.īecause of this, the conventional wisdom is that everything in Classic’s Develop module is also in ACR, and everything in ACR is also in the Develop module. As a result, Lightroom Classic’s Develop module shares the same editing and rendering capabilities as the ACR plug-in, but in a different wrapper that includes features and functions for importing, organizing, and output that don’t exist in Camera Raw itself. Lightroom was created as a way to take the powerful editing capabilities in the ACR plug-in and build a more efficient workflow around it, from capture to output, aimed specifically at digital photographers.
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I’m not here to convince anyone to change the software they are using, but rather to provide a look into what is the same, what is different, and how to decode whether a given Classic resource applies to ACR, and vice versa. That said, there are still people using ACR because that’s what fits their needs. So much so that it is far more common to see articles, videos, and tutorials about Lightroom than about ACR. In the 10+ years since Lightroom’s debut I think it is safe to say that many of those photographers have made the migration over to Lightroom. Before there was Lightroom (Classic), we had Photoshop, Bridge, and the Adobe Camera Raw (ACR) plug-in that formed the foundation to many photographer’s digital imaging workflow.